top of page

Lidija in the Buttermilks --

Alabama Hills;

Mono, Convict, June

There's a line that wraps all around the granite rock face. Make that two. A pale coral with lichen dusting the sides and sometimes racing through the middle. I keep calling the elements she; she brings a sense of calm. I could stare at her for hours even with her jagged edges.

Lidija in the Buttermilks --

Alabama Hills;

Mono, Convict, June

are scores of the landscape, made in response to the lived experience of the body in nature. The work is an investigation of natural and synthetic materials, plunging the historical properties of the materials past their boundaries. 

2019
bottom of page